Amanda Palmer, well, I am in love with this woman. Her lyrics have the poetry of Leonard Cohen. And she's hot.
Right? I mean, right?
The show opened my eyes to something. This was my first concert I went to where everyone was sitting down. During the performances people would creep into the aisles and take pictures with their cell phones. I almost wanted to take a picture of those people with my phone, but I said no. I would enjoy this show without the use of any camera.
Here's the problem. As a person I judge these people for seeing every experience through a camera. The same thing happened in Alaska. Everyone wanted to capture every little thing. They saw their whole boat trip through a lens and probably don't remember it.
On the other hand, I see events as a writer. While I judged those photographers for their lack of experiencing, I thought about how I would write this blog post. I had to constantly check myself to make sure I was conscious of the event. I see everything as a story or a part of a story or a character trait. I wonder if my writing would be better if those thoughts didn't enter my brain until I was sitting down to write. I wonder if any writer is capable of doing that. I'm going to try I think.
How do you deal with this aspect of your life as a writer? Do you cage the writer? Do you keep her on a short leash? Or, do you let the writer roam free and see the entire world as a story to be put on a page?

2 comments:
You know how I am with my camera. I think that every picture has it's own story and is different from what words would describe. Also - think of how many old photos prompt stories from times you weren't there for, or places you've never been. I've had long conversations with my parents while going through old photographs, and I've gotten a lot of good story material from their old photos.
i know what you're saying. worth a thousand words and all that. i'll admit there is a difference between someone who thinks about the photo they're taking and someone who shoots machine gun pictures, but is it a sacrifice of your own experience? is it our job as artists to forsake our own memories and experiences for those of the reader/viewer? maybe not forsake. i guess i was just wondering what it would be like to look at something without any idea of narrative. i don't think it's really possible, but i thought i'd ask.
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